You heard that right! Last night the Giants beat the San Francisco 49ers in the NFC Championship Game in overtime by the score of 20-17. They now look towards Indianapolis, site of Super Bowl XLVI, and a Super Bowl XLII rematch with the New England Patriots. But let’s discuss last night’s game, shall we?

Eli Manning, despite playing on a wet and rainy field and being knocked down all game, somehow managed to throw for 316 yards, 2 touchdowns, and zero turnovers. The Giants defense played well, despite giving up 2 big touchdown plays to TE Vernon Davis on blown coverage in the secondary.  The real star of the game was the Giants special teams play. Punter Steve Weatherford was solid all night long, and was able to set up a nice ball off a bad snap for Kicker Lawrence Tynes on the game-winning field goal in overtime. The winning score came thanks to a fumble on a punt return by Kyle Williams of the 49ers. The Giants’ Devin Thomas picked up the fumble, the second time in the game that he had recovered the ball on a muffed Williams punt return.

Now it’s on to Super Bowl XLVI. We all remember the epic game that was Super Bowl XLII, when the Giants shocked the world by defeating the then undefeated New England Patriots in thrilling last-minute fashion. Things are different this time around, and it would be hard to say that either team is the favorite or underdog going in. The Giants did defeat the Patriots earlier this year, in one of the season’s most exciting games. The Patriots have not lost since then, winning ten straight. Somehow they had not beaten a team with a winning record all season, until they defeated the Baltimore Ravens in the AFC Championship game yesterday. It should be another exciting game in two weeks at the Super Bowl! How awesome is this?!

 

I am a big fan of the films of Sono Sion (園子温). All of his films that I’ve seen have stuck with me in some way, which is more than can be said for 99% of the other films and television shows out there. With films like Suicide Club, Noriko’s Dinner Table, and Love Exposure, his work over the last decade is as good as any other filmmaker’s in the world. His recent film, Guilty of Romance, is also one of his darkest to date.

I will be reviewing the 113 minute international cut of Guilty of Romance(恋の罪). There exists a 144 minute cut made for the Japanese market that I wish to see, as the international cut excises an entire plot line centered around the detective (Mizuno Miki, 水野美紀, Hard Revenge Milly) who is investigating the crimes this film revolves around.

The Film

A crime scene. Two bodies discovered, posed along with mannequin parts and mannequin faces. Pink paint is everywhere. Written on the wall is a single word. What is the meaning behind all of this?

Guilty of Romance is the story of insomniac housewife Kikuchi Izumi (Kagurazaka Megumi, 神楽坂恵, Cold Fish) and her descent into a world more depraved and primal than she can imagine.  Fearing that his newlywed wife is bored and unhappy sitting alone at home all day while waiting for him to get home (which she is), author Kikuchi Yukio (Tsuda Kanji, 津田寛治) suggests she get a part-time job at the local supermarket.

At work she’s approached by a talent manager who wants Izumi to pose for some potentially risqué photos. Reluctant at first, she agrees to go to the photo shoot. Things get a lot more steamy than she expects, and here begins Izumi’s moral descent and sexual awakening.

This new-found sexual power makes Izumi more adventurous, and leads her to more depraved encounters. One of these disturbing encounters is with a gentleman (Kobayashi Ryuju, 竜樹) who looks like he has seen A Clockwork Orange one too many times. From this meeting, Izumi comes into contact with Ozawa Mitsuko (Togashi Makoto, 冨樫真), an older woman with many dark secrets. As two women both leading dual lives they soon befriend each other, and the veteran Mitsuko begins teaching Izumi how to be like her. Meanwhile, the murder mystery continues to unfold.

Thoughts

Words have no meaning. To have meaning, a word must be made flesh. A word’s meaning is its body.

Like his previous effort, Cold Fish, Sono has again made a film about how far down into the depths of depravity mankind can go. One of my favorite things about Sono is his ability to blend drama, comedy, horror, and anything else he wants to into his narrative, and to somehow make it all work. Guilty of Romance is surprisingly devoid of any trace of the black humor that peppers his earlier works. This one is all darkness. But that doesn’t mean that it is any less of a film.

Kagurazaka Megumi turns in a good performance as Izumi, transforming from repressed to sexually empowered to incredibly deviant throughout the course of the story. The standout performance of the movie is that of Togashi Makoto as the deranged Mitsuko. Behind her warm smile and respectable day job is the desire to bring everyone she meets down to her level. And Togashi is excellent at making you believe that she’s being kind every step of the way while she is slowly destroying you.

Sono is my favorite horror director, even when the films he makes aren’t all technically horror films. Horror isn’t my favorite genre, as the typical fare doesn’t put much fright into me. Sono, however, is a genius at scaring the bejeebus out of me. His horror isn’t blood and guts and surprises and sharp noises. His horror is family. The dysfunctional family scenes he creates seem more real than any supernatural monsters or ghosts that are made up (not that my family is horrible, quite the opposite). In Guilty of Romance he treats us to another standout family scene, which I won’t spoil here. I’ll just say that I won’t ever think of having tea with the family the same again.

The concept of prostitution and the value of your own body is the main thread throughout this film. Sono doesn’t condemn the act, nor does he glamorize it. What he does do is show it in the most brutal of fashions. Being a film about murder and sex, there is plenty of graphic violence and sexual content. There are scenes that can be considered rape, but for a story like this one they are essential to the progression of certain character’s story arcs. A thought-provoking point is made in this film regarding prostitution. If a random man approached a woman and propositioned her for sex, what would be more disheartening to the human spirit: if she had sex with the man for free, or if she asked for money? Which would be looked down upon more in our society?

The music gets more and more intense as the film nears the climax. At one point the only musical accompaniment is the endless beating of a war drum, leading everyone into battle. This all leads into some very insane and intense revelations as the story comes to a close and all the loose ends are tied up.

The events that occur in the film are truly dark and represent some of the lowest levels of humanity. But despite that, I found at the end that it was more a story of survival than anything else. Many references are made throughout the film to Kafka’s unfinished novel The Castle, a story representing a quest to find something, to get somewhere, that you can never attain or reach. Both Izumi and Mitsuko are looking for their Castle, even if they know they will never get there. But so is most everyone else in this world. How we deal with that knowledge is what defines us.

I really would have liked to see the longer Japanese cut of the movie. I want to see how well Sono fits (or doesn’t fit) Mizuno Miki’s character arc alongside the stories of Izumi and Mitsuko, as their two storylines contrasted each other very well. It’s not his best film (Love Exposure and Noriko’s Dinner Table are my favorites), nor is it his most disturbing (the award for that goes to Strange Circus). Still, I found this to be another fine effort from Sono.

 

giants

As I had hoped, the New York Giants came through again today, destroying the Green Bay Packers by the score of 37-20. Were it not for some terrible officiating calls (ruling a clear fumble as not a fumble after replay review, and a non-existent blow to the head call), the Packers would not have even scored one touchdown.

The Giants defense was stifling, making Green Bay work hard for every first down. The Giants were +3 in the turnover battle, and the 17 point victory margin doesn’t really show how much the Giants dominated this matchup. The Packers receivers did their part, dropping countless passes all night.

Eli Manning once again was the best player out there on the field, with the second best player being WR Hakeem Nicks. Manning threw for 330 yards and 3 touchdowns, 165 of those yards and 2 of those touchdowns going to Nicks. How amazing was that Hail Mary pass at the end of the half?

Next up for the Giants is a trip to San Francisco to face the 49ers in the NFC Championship Game. The only downside coming out of this game is that we won’t see Tom Coughlin’s Red Face in the warmer San Francisco weather next week. Other than that, I can’t wait!

 

I happen to watch a lot of Japanese Television shows. They’re called Dorama (ドラマ) shows there. That’s how Drama is pronounced in Japanese. The term Dorama isn’t limited to dramatic shows either, as it encompasses comedic shows as well. These shows are often very touching, and they can also teach you valuable life lessons. Here are a few lessons that I’ve learned from various shows (spoilers abound).

Don't go chasing waterfalls. And don't go catching box cutter attacks with your bare hands. Yeouch!

1) Arson is Okay

Learned From: The Queen’s Classroom (女王の教室), Kaseifu No Mita (家政婦のミタ)

In the superb drama The Queen’s Classroom, villainous teacher Akutsu Maya (Amami Yuki) rules with an iron fist. In this example, Sato Erika (Kajiwara Hikari), class bully and all around b-word, finally has the tables turned on her when the rest of the class grows tired of her act. Erika responds to this in the most rational way she can. She trashes her classroom, pours gasoline all over the place, threatens to light herself and the place up, and attacks Akutsu-sensei with a box cutter. Sensei catches the box cutter with her bare hands and then berates Erika for being so stupid.

So what’s Erika’s punishment for all of this? Expulsion from school, trouble with the law? Nah, All of her classmates forgive her and she returns to the class as if nothing happened.

In Kaseifu No Mita, housemaid Mita Akari (Matsushima Nanako) will follow any order given to her by her employer. Her newest employer, Minagawa Mariko (Sato Hitomi), upon learning that her husband is cheating on her, orders Mita-san to kill her, her husband, and their child by burning the house down. Shocked that Mita would actually follow through on that, Minagawa orders Mita to light herself on fire instead. She almost does that too, but the usual tearful inspirational Dorama speech saves her.

Mita’s punishment for almost burning down the house? A nice stern talking to from the police.

It should be noted that both The Queen’s Classroom and Kaseifu no Mita were written by the same person, Yukawa Kazuhiko. He seems to have issues with lighting yourself on fire. And tall, emotionless women dressed in black.

The raifu of the waifu is ended by the naifu.

2) Attempted Murder is Okay

Learned From: Kaseifu No Mita (家政婦のミタ)

As in the previous lesson, Mita-san will do anything that she is ordered to do, if it’s possible to do. In this case Asuda Yui (Kutsuna Shiori), eldest daughter of the family Mita works for, orders Mita to kill her. When Mita actually tries to kill Yui, she orders her to stop. Yui then gathers up her resolve and orders Mita to kill her again, and to ignore her if she calls off the order. The following ensues: Mita tries to kill Yui, Yui fights back, Yui gets the knife and turns it on Mita, Yui’s family walks in and Yui turns the knife on herself, tearful inspirational Dorama speech™, situation resolved.

Punishment? None. That’s four people she’s attempted to murder now.

It's roofies, Mita-san!

3)  Date Rape is Okay

Learned From: Great Teacher Onizuka (グレート ティーチャー オニヅカ )

Fuyutsuki Azusa (Matsushima Nanako, again) is the pretty English teacher at Holy Forest Academy. Teshigawara Yuu (Ida Kunihiko) is the creepy-as-heck math teacher that enjoys activities such as stalking Fuyutsuki-sensei and plastering his bedroom wall with hundreds of photos of her. Using his extensive knowledge of everything Fuyutsuki, he manages to trick her into coming to his apartment. Once there he offers her some wine, which he’s spiked with his own homemade “Love Drug”. She passes out almost immediately, and Teshigawara carries her into the bedroom so he can have his way with her. Thankfully, Great Teacher Onizuka (Sorimachi Takashi) finds out about Teshigawara’s obsession. He’s able to save her right before Teshigawara violates her.

But what becomes of Teshigawara? Arrested and fired, you would think. But of course, nothing happens! He stays home for a few days out of shame, but his rapist tendencies are never brought up again. He goes right back to work, and neither Onizuka or Fuyutsuki say anything about it to anyone.

Guess what! Crazy arsonist writer guy wrote this one too!

Hey, stop looking at her like that!

4) Child Abuse is Funny!

Learned From: Don Quixote (ドン★キホーテ)

Don Quixote is a comedy about a Yakuza boss and a child protective services worker. The catch is, by some random magicks, they switch bodies like in all of those terrible 80′s movies! Normally, you wouldn’t equate a show that features many forms of child abuse with a comedy. But you forgot two things. One, this is a body-switching comedy. Two, this is Japan. They don’t follow your rules, man! They play outside the box!

Hey, if you can successfully build a comedy series around the happenings of child protective services, then kudos to you.

 

Hahahaha, Takeshi! You got Punk'd, with AIDS!

5) If you procreate with a HIV+ person, you and your kid won’t get infected!

Learned From: Kamisama, Mou Sukoshi Dake (神様、もう少しだけ)

Finally, we come to the show Kamisama, Mou Sukoshi Dake. The show that tells you that it’s okay to have unprotected sex with those who have HIV! Kano Masaki (Fukada Kyoko) is your average high school Japanese girl. She likes having fun and sleeping with dudes. She’s excited about going to see a concert with songs written by her favorite composer, Ishikawa Keigo (Kaneshiro Takeshi). But, oops! She lost her ticket! What’s a girl to do now? Simple. Sleep with a random dude for money. Then go to the concert, meet the composer, and sleep with him too! But, oops again! The random dude she prostituted herself to had HIV. Whoops! Now Keigo needs to get tested too. Don’t worry, he’s okay!

Years go by, Masaki and Keigo go through many trials and tribulations, and they get back together. Keigo decides he wants to have sex with her again, and knocks her up! But it’s okay, Keigo and the baby test negative for everything. Moral of the Japanese TV story: HIV isn’t contagious. Unless you’re a woman, or a teenager, or a prostitute.

Body-switching comedies? Criminal acts without consequences? AIDS immunity? Don't be ridiculous!

Jan 142012
 

 

The New York Giants return to Lambeau Field this Sunday to face the Green Bay Packers in the second round of the NFL playoffs. We all know what happened the last time the Giants and Packers squared off in the playoffs. Let’s hope for some more of that magic this Sunday!

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